1/14/2024 0 Comments Fluke movieComposite Character: The film's version of Bella reflects elements of several characters from the book: a jolly middle-aged woman who feeds Fluke a scrapyard worker who nurtures the dog's knack for finding hidden food, and an elderly homeless man to whom Fluke is eventually revealed to be telling his story. But Now I Must Go: Fluke leaves the family so they can be happy after helping Carol find Brian.On the bright side however, he meets up with Rumbo who is reincarnated as a squirrel. Bittersweet Ending: After helping Carol find Brian, he shows Carol who he really is and leaves them so they can be happy.When Tom dies in the opening, he is soon reincarnated as a newly born puppy. Birth-Death Juxtaposition: Done with the same person.Big Damn Heroes: Rumbo, who rescues Fluke and other animals from animal experiments at a cosmetics company.Screenplay by Carlei and James Carrington from a novel by James Herbert. Executive producers Jon Turtle and Tom Coleman. Jackson) An MGM presentation of a Rocket Pictures production. ‘Fluke’ Matthew Modine: Thomas Johnson Nancy Travis: Carol Johnson Eric Stoltz: Jeff Newman Max Pomeranc: Brian Johnson Comet Fluke: (voice of Modine) Rumpo Barney: (voice of Samuel L. Times guidelines: There are also scenes of implied vivisection that are too intense for small children. * MPAA rating: PG, for a dog attack and a disturbing car crash. The film’s human actors acquit themselves admirably under the circumstances, but there’s no question that the stars are Comet (as Fluke) and Barney (as Rumpo), bolstered by excellent trainers and special-effects personnel. Maybe if “Fluke,” which might have been better as an animated feature, weren’t such a lavish, big-deal production and closer to the modest level of the recent-and pleasant little-pig movie “Gordy,” it wouldn’t seem so overwhelmingly, at times even laughably, foolish. In fairness, Carlei-who’s shamelessly manipulative-does score two good points: that as a dog Modine spends more time playing with his son than he did as his dad, and the way in which Fluke finally manages to reveal to Travis that he is indeed the reincarnation of her late husband. Jackson-then all of Carlei’s earnestness seems increasingly silly and maudlin, an effect underlined heavily by Carlo Siliotto’s relentlessly florid score. But if you have a tough time accepting that Fluke is Modine-and that Fluke and Rumpo can speak English “mentally” to each other-the first with the voice of Modine, the second with that of Samuel L. On a technical level he succeeds in that he surely does allow us to see life from a dog’s point of view. It is Fluke’s impression that Stoltz, Modine’s partner in an “advanced mechanical design” corporation, is responsible for Modine’s death what’s more, Stoltz is clearly intent on consoling the widow.Ĭarlei brings to “Fluke” the same urgency he brought to his terrific Italian debut film, the 1993 thriller “Flight of the Innocent,” in which a 10-year-old boy-sole survivor of a Calabrian vendetta-runs for his life. After those 50 minutes of urban adventures, Fluke does latch onto Modine’s family, his lovely widow (Nancy Travis) and small son (Max Pomeranc), who live in a mansion in a nearby small town. But Fluke keeps dreaming of two young men (Matthew Modine, Eric Stoltz) racing their cars down a highway in the woods, with one of the men plunging off the road to his death.ĭirector/co-writer Carlo Carlei ever so gradually (at least for younger viewers) lets it sink in that Fluke is indeed the reincarnation of Modine. Even so, parents should know at the outset that there are scenes of animal abuse too intense for the very young.įluke is a totally appealing mutt, an animal shelter escapee taken in tow by another likable canine, the streetwise Rumpo, who teaches the younger dog how to survive and even enjoy life in the big city (an unnamed Atlanta). That’s an awful lot of suspending of disbelief to ask of an audience, but youngsters may be able to go along with it. No wonder “Fluke” takes 50 of its 95 minutes to get to the heart of the matter, for in that time it has to sell us not only on the notion of reincarnation but also that humans can come back as dogs.
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